During the artistic ferment following the 1917 Bolshevik Revolution, major artists joined actors, choreographers, writers, and musicians in creating a daring new theater. This collaboration gave rise to extraordinary productions with highly original stage designs that redefined the concept of theater itself, attracting large, diverse audiences and garnering international critical praise.
In Chagall and the Artists of the Russian Jewish Theater, 1919-1949, on view through March 22, 2009, The Jewish Museum tells the little-known and tumultuous story of this vanguard artistic flowering, which thrived on the stage for thirty years before being brutally extinguished during the Stalinist era.
More than 200 works of art and ephemera, the majority never before exhibited, have been drawn from collections in Russia, France, Israel, and the United States for the showing. Marc Chagall’s celebrated, monumental murals are featured, in addition to more than 100 watercolor, gouache and crayon drawings of costume and set designs, executed in the experimental modes of Cubism, Futurism, and Constructivism by such artists as Natan Altman, Robert Falk, Ignaty Nivinsky, Isaac Rabinovich, and Aleksandr Tyshler.
Rare film footage of early performances transports viewers back to another time. Fascinating archival materials such as music, posters, prints, programs, and period photographs of productions and actors in character help recapture extraordinary moments. Many items in the exhibition survived a 1953 blaze at Moscow’s Bakhrushin State Central Theater Museum, the premier repository for archives of the Moscow State Yiddish Theater (GOSET), and a major lender to the exhibition. The fire, almost certainly intentional, was an attempt by the Soviets to stamp out the legacy of the Russian Jewish theater.
Following its showing in New York, Chagall and the Artists of the Russian Jewish Theater, 1919-1949 travels to the Contemporary Jewish Museum, San Francisco where it will be on view from April 24 through September 7, 2009.
The exhibition has been organized by Susan Tumarkin Goodman, Senior Curator at The Jewish Museum. She first learned of the Bakhrushin’s trove while researching another exhibition in Moscow nearly a decade and a half ago: “I became aware of the achievement of artists who, in the heady days after the revolution, embraced the avant-garde and the potential of a people’s theater.”
“These artists created a uniquely new theater, one that combined visual art and music with stylized expressionist performances. They also had an affinity for the grotesque and the comedic melodrama of Yiddish folklore,” continues Goodman.
The Jewish theater movement in Russia was represented by two companies based in Moscow with very different approaches. Habima’s productions, performed in Hebrew, emphasized the ideas of Zionism and Jewish national rebirth. Soviet ideologues soon deemed the theater’s policies at odds with socialist ideals. In 1926, Habima left the Soviet Union to settle in Palestine, eventually becoming Israel’s national theater. In contrast to Habima, GOSET, which performed in Yiddish, presented daring expressionistic dramas. With its innovative blending of Jewish folklore and literature, Constructivist-inspired sets, and expressionist acting techniques, GOSET was wildly popular with Jews and non-Jews alike. -- www.thejewishmuseum.org
Comment and add to the story without registration, but keep the comments meaningful please. Links are not accepted.
