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Throughout the fall season, the series will explore the dawn of the cinematic art form. Beginning on September 9, screenings will be held on Wednesdays, Thursdays, and Fridays, at 1:30 p.m., in The Celeste Bartos Theater in MoMA’s Lewis B. and Dorothy Cullman Building For Education and Research, 4 West 54 Street.
The auteurist approach to film, articulated by the critics who wrote for Cahiers du Cinema in the 1950s, and brought to America by film writer and critic Andrew Sarris, contends that, despite the collaborative nature of the medium, the director is the primary force behind the creation of a film.
In the present context, this “theory” is intended as a useful tool, not to be applied too rigidly or in a doctrinaire manner. Rather than creating a single, formal museum canon, An Auteurist History of Film will provide filmgoers with a rare opportunity to follow the course of filmmaking from its origins to the present day by examining the role of the director.
The first three months of the series will explore pre-cinema; the earliest films seen in Europe and America, by the Edison Company and the Lumiere Brothers; pre-D.W. Griffith directors and the early efforts of Griffith at New York’s Biograph Studio; the innovations by Scandinavian filmmakers; and Griffith’s departure from Biograph. -- www.moma.org