On view in the Alter Gallery (Gallery 176, first floor), the installation is the fifth in the Museum's Notations series.

Gilbert Proesch (born 1942) and George Passmore (born Italy 1943) met in 1967 while training as sculptors at St. Martin's School of Art in London and shortly thereafter the two artists dropped their last names to become known as Gilbert & George. From the beginning of their career, the artists explored and redefined photography as a medium through which they could achieve monumentality. Dressed in suits and displaying decorous manners, Gilbert & George present an image at odds with the passion with which they expose their deepest desires and fears. As 'living sculptures,' a self-designated term that defined their early performances, the artists became both the object and subject of their own work, and set the tone for a practice intended to make art accessible to all.

Documenting the reality of daily existence, Gilbert & George use their art as a vehicle through which the universals of the human experience are made eloquent. They present a poignant and all-embracing vision of life where isolation, unhappiness and despair, nature and beauty are tenderly revealed.

This presentation of large-scale photographs by Gilbert & George traces their stylistic departure from austere black and white and monochromatic compositions of the 1970s to the bolder clashes of images and colors in the 1980s. The installation also includes a number of collaged postcards, or "postcard sculptures," in which Gilbert & George used commercially produced images. The artists organized these images on a grid format, which has become part of their practice. Constantly aware of the changes in the social and political climate, Gilbert and George address head-on the burning issues of the day--be it social marginality, the AIDS crisis or multiculturalism--while at the same time defining a unique visual language.

Gilbert and George won the Turner Prize in 1986 and represented the United Kingdom at the 2005 Venice Biennale. A comprehensive exhibition of the work of Gilbert & George organized by Tate Modern in London is currently traveling in the United States. Its final venue will be the Brooklyn Museum where it will be on view from October 3, 2008, through January 11, 2009.

Gilbert & George is the fifth in an ongoing series of gallery installations titled "Notations," named after the 1968 book by American composer, writer, and visual artist John Cage—widely celebrated for his experimental approach to the arts. Cage's Notations was an international and interdisciplinary anthology of musical scores by avant-garde musicians that also embraced contributions from visual artists and writers. At the same time Notations was an exhibition in book form, in which the scores doubled as drawings. "Notations" at the Philadelphia Museum of Art is a flexible tool used to explore aspects of contemporary art in the Museum's expanding collection. -- www.philamuseum.org