Following chronological rather than thematic content these dry mounted pairs create a new inseparable artifact in which the relationship between front and back suggests a formal and psychological coherence that goes beyond mere coincidence. This exhibition uses these cemented pairs to uncover alternative readings of Herb's photographs.
They help us to understand Herb Quick's landscapes and interiors as portraits, and his portraits-to borrow Aaron Siskind's famous observation-as exterior dramas of interior events.
The exhibition will be on view through April 14, 2007. -- www.cmp.ucr.edu